Saturday, February 25, 2006

"The Place to Go" Anderson Reading

In this article, Anderson explores the role that the 135th St. Branch of the New York Public Library (located in Harlem) played in the Harlem Renaissance during the 1920s. The Harlem Renaissance represented a period of prolific literary and artistic output by African-Americans. Anderson points out that “many…memoirs and histories of this period hint at the significant role that the library played in the Harlem community, but the mention is often little more than a sentence” (p. 384). In her article, Anderson attempts to examine more fully the relationship between the library and the community around it, as well as looking at the influence of Ernestine Rose, the white head librarian during this time period. Anderson highlights Rose’s progressive views on library management and mission and how this led to the success of the library in the community and the strength of its legacy. The centerpiece of Rose’s leadership style was connecting with the community; she “…understood ‘how vitally important it is that [a librarian] should study people and their interests’ and that by connecting with those interests he or she can make the library ‘ a living, vital force, to touch these interests at as many points as possible, through his book collection, through the personnel of his staff, through his method of approach, his publicity and his activities of all kinds” (p. 387). Throughout the article we see how Rose did all of these things at the 135th St. Branch. In this way, Harlem’s library became an integral part of the Harlem Renaissance. A place where writers, artists and actors could both cultivate their talents and have an audience with whom to share them. It provided a space for voices that had previously been silenced by society to be heard. Finally, Anderson looks at what she feels is the most important legacy of the 135th St. Branch, the history and development of the Schomburg Center for Research in Black Culture, which today is one of the preeminent collections of information on black history and culture.

A few questions that came out of the reading for me:

How much of the success or the influence of the 135th St. Branch can be attributed to Rose and how much can be attributed to the community’s own initiatives? Was it the library influencing the community or the community influencing the library?

In the article, Anderson talks about the library becoming a “black public sphere” –a place for members of the community to come together and discuss/debate issues that are important to them (p. 409-410). She lists several different places that can fall into the “black public sphere”, but she says that at this time, “…it was the library that proved capable of encompassing the greatest range of voices” (p. 410). Do you agree or disagree with this statement? Why or why not?

In terms of its service to the community around it, do you think the 135th St. Branch was unique in comparison to other libraries in predominantly black neighborhoods around the U.S. at this time or was it representative of such libraries? How representative is it of libraries today in neighborhoods with large minority populations?

1 comment:

Deborah said...

“…it was the library that proved capable of encompassing the greatest range of voices” (p. 410). Do you agree or disagree with this statement? Why or why not?

I agree that, in Harlem at this particular time, the library was probably the best forum for a range of perspectives and voices. Anderson lists other likely public spheres such as churches, street corners, NAACP publications, etc., but it sounds like the 135th St library had the potential for showcasing and encouraging the largest and most diverse set of ideas and narratives (in art, music, books, lectures).

As to your third question, my guess is that the 135th St library was unique in 1920s America, just based on the names of the involved parties--Langston Hughes, WEB Du Bois, Jessie Fauset, Zora Neale Hurston.